So, I can't stop pressing "replay" in this little 5-minute song.
Is it Johnny Depp's gaze? Or Natalie's lovely hands? Or Paul McCartney's buttery voice?
Monday, April 16, 2012
Sunday, April 15, 2012
And now: a Mini-Opera
Several weeks ago, I stumbled upon this link, which was a call for amateur writers (librettists), composers, and film makers to write a mini-opera for a fun competition.
Here is the story to inspire the script, written and read by Neil Gaiman.
So, this is what the website says: "We’re after the most creative, innovative and interesting writers, music
makers and film makers out there, whatever your level of experience or
knowledge." My experience would be nil, and my knowledge, very close to that (i.e., null?). (I love operas, but over the last few years, haven't been able to attend
them as often as I'd like. So I watch them on DVDs and listen to them on
the iPod.)
But after listening to Gaiman, who is wickedly genius, haunting me with his story, I sat down and wrote this. If you want to listen to the music I was listening to (Fratres, by Arvo Pärt) as I composed this, open this link, let the music play for a minute or so, then minimize the screen so you can read the opera and hear the music I happened to have on.
source |
THE LINGERER
A Mini-Opera
SCENE :
AN EMPTY STADIUM AFTER A GAME. THE LANKY SWEEPER ENTERS,
PUSHING A LARGE BROOM ACROSS THE BASE OF RISERS (BLEACHERS). HIS HAIR IS LONG
AND UNKEMPT, AND ALTHOUGH THE SLEEVES OF HIS JUMPER ARE ROLLED UP TO REVEAL A DRAGON TATTOO AND A CIGARETTE DANGLES FROM HIS LIPS, THERE IS SOMETHING ALLURING ABOUT HIM. HE IS EXHAUSTED.
HE ENCOUNTERS PANINA, A HAUNTINGLY BEAUTIFUL YOUNG WOMAN, IN AN EMPTY STADIUM. IN THE ROW BEFORE HER, AN ARM'S LENGTH AWAY, IS A SMILING BOY, 6. PANINA SITS LIKE A STATUE ON THE BLEACHERS, GAZING AT THE BOY, AMID THE REMAINS OF THE GAME--CRUSHED POPCORN BOXES AND PAPER CUPS, CRUMPLED PAPERS AND SCATTERED NAPKINS AND OTHER DETRITUS.
THE SWEEPER STOPS, LOOKS AROUND, THEN EXTINGUISHES HIS CIGARETTE ON THE
FLOOR WITH HIS BOOT. HE RECOGNIZES PANINA, AND THOUGH HE HAS NEVER SPOKEN TO HER, HIS HEART ACHES AT THE SIGHT OF HER.
SWEEPER:
|
Another one. Lingerer,
Come, it's time. The game is lost. I've work to do. Dreams to burn. There is nothing here for you. |
PANINA:
|
No. Please.
|
SWEEPER:
|
Lingerer, I've work to do.
You exhaust me at the waking hour. I cannot make exceptions for you. Go. |
PANINA:
|
No!
|
SWEEPER:
|
You must.
|
PANINA:
|
I won't.
|
SWEEPER:
|
I've seen you before. Waiting here
hoping, holding your breath, the cheers Of spectators still echoing, lifting you on a cloud. To the palimpsest of dawn,
to places we're not allowed.
|
SWEEPER TURNS
ASIDE AND SPEAKS TO HIMSELF.
|
And I've seen those
cheeks before,
Flushed, alive. How I've wanted more— to touch them. To feel her pulse on my lips. I am a fool. A Sweeper of Dreams. |
|
HE TURNS BACK AND SPEAKS TO PANINA.
|
|
But look, these halls
are empty now.
The sun is born I've work to do Dreams to burn. (TO HIMSELF) And you to burn from these visions now. |
|
PANINA:
|
Six months, he has been
gone from me.
Six months since he flew. Six years is too young to go. Six years is too few. And here I'll stay, where we cheer, Where his face is bright, Where we meet each night. |
SWEEPER:
|
Lingerer, there are
dreams and there is death
Lingerer, you cannot have the two. It will not do. |
PANINA:
|
Please, please. I beg
of you,
Do not wake me from this sleep. Don't sweep away his singsong voice, The smell of his skin, his palm on my cheek. He's happy here, and I am, too. Let the living world rust, But do not burn my son to dust. |
SWEEPER:
|
This is no world for
you.
The boy is gone. |
PANINA:
|
My boy is here.
|
SWEEPER:
|
There is only madness dear
If you choose to stay. I've seen the sturdiest men crumple under savage screams. You cannot live in the wreckage of your dreams. Come, boy. |
THE SWEEPER HOLDS OUT HIS HAND TO THE BOY. THE BOY
STEPS DOWN OFF THE BLEACHERS AND SITS BEFORE THE SWEEPER, IN A SMALL PILE OF
POPCORN BOXES, PENNANTS, FALLEN BALLOONS, ETC.
|
|
PANINA:
|
Take me, too!
|
SHE RUSHES DOWN
AND COLLAPSES AT THE SWEEPER'S FEET. THEY SING TOGETHER.
|
|
SWEEPER:
|
PANINA:
|
She comes to me each night. Standing here
Waiting, holding her breath, The crowd, the cheers,
lifting her on a cloud…
To serenity. I'm not allowed... And to see her cheeks, flushed, alive. How I've wanted to
hold them…
To feel her pulse upon my lips. My ashen lips turn golden… I am a fool, a Sweeper of Dreams... But look, these halls are empty in the sun... |
He comes to me each night. Standing here
Living, I hear his breath, The crowd, the cheers,
lifting him on a breeze…
But heaven can't have him, he's here with me. And to see his cheeks, flushed, alive. How I've wanted to
take them.
To feel his pulse upon my lips,
My mourning soul awaken.
I am a mother, without her son... But look, these halls are empty in the sun... |
DAWN IS BREAKING AND THE STAGE IS COLORED MORNING.
|
|
SWEEPER:
|
I've work to do, for you, I swear.
Back to the breathing, the waking air. Back to your living child who waits. I sweep so you can come again, come renewed. These dreams I burn for you. |
THE SWEEPER PLACES ANOTHER ROLLED CIGARETTE IN HIS MOUTH AND LIGHTS IT. THEN HE STRETCHES HIS HAND OVER THE PILE OF OBJECTS AND THE BOY AND FLICKS ON THE LIGHTER. A PILLAR OF SMOKE RISES UP AND ENVELOPES THE CHILD.
PANINA BACKS UP SLOWLY AS THE SWEEPER PUSHES HIS BROOM
ACROSS THE STAGE. HE LOOKS BACK AND WATCHES HER RELUCTANTLY EXIT INTO THE
SUNLIGHT.
CURTAIN
Tuesday, April 10, 2012
Because the past 24 hours have been weird
I haven't blogged about anything in many days, and since the past 24 hours have been good but surreal, here are three things that have occurred:
1. I open Twitter and see that Neil Gaiman (Yes, NEIL GAIMAN) just tweeted to my real-life, pre-social network friend. (We happen to teach at the same university and drink from the same wine bottles whenever possible.)
She's just a college teacher and writer like me, but she's so much cooler. Confirmed by Gaiman's tweet.
2. Out of the blue, a writer from The Wall Street Journal emailed me as asked if he could talk to me about kids and smart phone apps. (And the perils of the two combined.) I spoke to him this morning, and my inner Research Nerd was awakened. I'm now trying to gather anecdotal stories from him.
3. I'm sitting outside at a sunny Starbucks patio, waiting for my son's school to release the kiddos, and a GINORMOUS black spider just swooped down on a girl in a pink hoodie as she tried to enter the café.
Screaming and mayhem ensued.
The spider zoomed up his wee little thread.
Then, as the girl tried to enter again, down came the spider again in an all-out attack.
Lesson: Pink hoodies are dangerous for girls, too.
I wonder what the next few hours will bring. The little things in life are fun.
1. I open Twitter and see that Neil Gaiman (Yes, NEIL GAIMAN) just tweeted to my real-life, pre-social network friend. (We happen to teach at the same university and drink from the same wine bottles whenever possible.)
She's just a college teacher and writer like me, but she's so much cooler. Confirmed by Gaiman's tweet.
2. Out of the blue, a writer from The Wall Street Journal emailed me as asked if he could talk to me about kids and smart phone apps. (And the perils of the two combined.) I spoke to him this morning, and my inner Research Nerd was awakened. I'm now trying to gather anecdotal stories from him.
3. I'm sitting outside at a sunny Starbucks patio, waiting for my son's school to release the kiddos, and a GINORMOUS black spider just swooped down on a girl in a pink hoodie as she tried to enter the café.
Screaming and mayhem ensued.
The spider zoomed up his wee little thread.
Then, as the girl tried to enter again, down came the spider again in an all-out attack.
Lesson: Pink hoodies are dangerous for girls, too.
from here |
I wonder what the next few hours will bring. The little things in life are fun.
Subscribe to:
Posts (Atom)